Audio Samples

From The Musical Storyteller 3rd edition

by Stephen Berkemeier

Chapter 1

Audio 1.1_Vertical Interval and Horizontal Interval

Minor 2nd (Half Step)

Major 2nd (Whole Step)

Minor 3rd

Major 3rd

Perfect 4th

Tritone

Perfect 5th

Minor 6th

Major 6th

Minor 7th

Octave

Chapter 2

Audio 2.1_Counting in Fours

Audio 2.2_Counting in Three's

Audio 2.3_Counting in Two's

Audio 2.4_The Seasons as Rhythm

Audio 2.5_I Appreciate All Music

Audio 2.6_Triplets

Audio 2.7_Quintuplets

Chapter 3

Audio 3.1_C Major Scale

Audio 3.2_C Major Triad

Audio 3.3_C Minor Triad

Audio 3.4_C Diminished Triad

Audio 3.5_C Augmented Triad

Audio 3.6_C Major 7th

Audio 3.7_C Minor 7th

Audio 3.8_C Minor Major 7th

Audio 3.9_C Half Diminished 7th

Audio 3.10_C Diminished 7th

Audio 3.11_C Dominant 7th

Audio 3.12_Authentic Cadence

Audio 3.13_Deceptive Cadence V7 to VI-

Audio 3.14_Deceptive Cadence V7 to III-

Audio 3.15_Half Cadence

Audio 3.16_Plagal Cadence

Audio 3.17_Chord Progression Sample

Chapter 4

Audio 4.1_Relative Major then Minor Scale

Audio 4.2_Sample Chord Progression

Audio 4.3_Sample Chord Progression

Audio 4.4_Sample Chord Progression with Bass line

Audio 4.5_Chord Progression Voice Leading Example

Audio 4.6_Sample Chord Progression

Audio 4.7_Simple Substitution Example 1

Audio 4.8_Simple Substitution Sample 2

Audio 4.9_Simple Substitution Sample 3

Chapter 5

Audio 5.1_C Ionian

Audio 5.2_D Dorian

Audio 5.3_E Phrygian

Audio 5.4_F Lydian

Audio 5.5_G Mixolydian

Audio 5.6_A Aeolian

Audio 5.7_B Locrian

Audio 5.8_ Dorian Cadence (E minor to D minor)

Audio 5.9_ Dorian Cadence (G major to D minor)

Audio 5.10_ Sample Chord Progression

Audio 5.11_ Modal Reharmonization

Audio 5.12_Modal Reharmonization Sample 2

Chapter 6

Audio 6.1_Default Bassline Example

Audio 6.2_Default Bassline with Rhythm

Audio 6.3_Rhythmic Bassline with Added 5ths

Audio 6.4_Anticipation

Audio 6.5_Pickup Tone

Audio 6.6_Simple Bassline

Audio 6.7_Inversions in Bassline

Chapter 7

Audio 7.1_Extended Chords of the Major Key

Audio 7.2_Extended Chords of the Minor Key

Audio 7.3_Extending Triads (Sample)

Chapter 8

Audio 8.1_Basic Chord Progression (Sample)

Audio 8.2_Secondary Dominant Sample

Audio 8.3_Different Types of Secondary Dominants

Audio 8.4_Secondary Diminished

Audio 8.5_Jazz Cadences

Audio 8.6_Gear Shift Up

Audio 8.7_Gear Shift Down

Audio 8.8_Common Chord Modulation

Audio 8.9_Modal Modulation

Audio 8.10_Secondary Dominant Modulation

Audio 8.11_Modulating to Relative Keys

Chapter 9

Audio 9.1_Goose Eggs

Audio 9.2_Neighbor Tones

Audio 9.3_Double Neighbor Tones

Audio 9.4_Consonance in Action

Audio 9.5_Staggered vs Articulated Dissonance

Audio 9.6_Escape tones

Audio 9.7_Suspensions and Retardations

Audio 9.8_Anticipations

Audio 9.9_Chromatic Passing Tones

Audio 9.10_Appoggiaturas

Chapter 11

Audio 11.1_Counting the Beat

Audio 11.2_Counting the Pulse

Audio 11.3_Staccato Comparison

Chapter 12

Audio 12.1_Fate Motif

Audio 12.2_Batman Motif

Audio 12.3_Starting with Pitch

Audio 12.4_Adding Rhythm

Audio 12.5_Our Motif

Chapter 13

Audio 13.1_Question Phrase

Audio 13.2_Answer Phrase

Audio 13.3_Original Motif

Audio 13.4_Rhythmic Augmentation

Audio 13.5_Rhythmic Diminution

Audio 13.6_Rhythmically Transformed

Audio 13.7_Metric Displacement

Audio 13.8 _Changing Time Signatures

Audio 13.9_Accentuation

Audio 13.10_Chromatic Sequencing

Audio 13.11_Diatonic Sequencing

Audio 13.12_Exact Melodic Inversion

Audio 13.13_ Diatonic Melodic Inversion

Audio 13.14_Complete Retrograde

Audio 13.15_Rhythmic Retrograde

Audio 13.16_Melodic Retrograde

Audio 13.17_Fragmentation

Audio 13.18_Interval Expansion and Contraction

Audio 13.19_Quantitative Embellishment

Audio 13.20_Qualitative Embellishment

Audio 13.21_Reduction

Audio 13.22_Reconstruction

Audio 13.23_Sentence Structure A

Audio 13.24_Sentence Structure A'

Audio 13.25_Sentence Structure B

Audio 13.26_Sentence Structure C

Audio 13.27_Period Structure

Audio 13.28_Sequencing Structure

Chapter 14

Audio 14.1_Sample Chord Progression

Audio 14.2_Initial Motif

Audio 14.3_Initial Target Tones

Audio 14.4_Chords first melody

Audio 14.5_Sample Melody

Audio 14.6_Harmonized Melody

Chapter 17

Audio 17.1_Species 1

Audio 17.2_Species 2A

Audio 17.3_Species 2B

Audio 17.4_Species 3

Audio 17.5_Species 4

Audio 17.6_Species 5

Audio 17.7_Cantus Firmus

Audio 17.8_Counterpoint Sketch

Audio 17.9_Counterpoint Sample

Audio 17.10_Call and Response

Audio 17.11_Active vs Inactive

Audio 17.12_Filler

Audio 17.13_Rhythmic Ostinato

Audio 17.14_Harmonic Ostinato

Audio 17.15_Melodic Ostinato

Chapter 23

Audio 23.1_Staccato Violin

Audio 23.2_Spiccato Violin

Audio 23.3_Tremolo Violin

Audio 23.4_Trill Violin (Major 2nd)

Audio 23.5_Pizzicato Violin

Audio 23.6_Bartok Pizzicato Violin

Audio 23.7 _ Sul tasto (Violin Section)

Audio 23.8_Sul Ponticello (Violin Section)

Audio 23.9 _ Col Legno Battuto Violin

Audio 23.10_Con Sordino Violin

Audio 23.11_Legato Violin

Chapter 24

Audio 24.1_Marcato (English Horn)

Audio 24.2_Legato Oboe

Audio 24.3_FLutter Tongue (Flute

Chapter 25

Audio 25.1_Flutter Tongue (Trumpet)

Audio 25.2_Cuivre (Horns)

Audio 25.3_Muted Trumpet

Chapter 27

Audio 27.1_Like Doubling

Audio 27.2_Unlike Doubling

Audio 27.3_Additive Accentuation

Audio 27.4_Additive Crescendo

Audio 27.5_Subtractive Decrescendo

Audio 27.6_Registral Accentuation

Audio 27.7_Registral Accentuation B

Audio 27.8_Coloristic Accentuation

Audio 27.9_Orchestral Resonance

Chapter 29

Audio 29.1_Monophonic Texture

Audio 29.2_Simplified Variation

Audio 29.3_Flourishing Embellishment

Audio 29.4_Rhythmic Embellishment

Audio 29.5_Chordal Texture

Audio 29.6_Sustained Chords

Audio 29.7_Rhythmic Chords

Audio 29.8_Arpeggiated Chords

Chapter 30 & 31

Audio 30.1_Out of the Box

Audio 30.2_Subtle Sequencing

Audio 31.1_Dovetailing

Chapter 32

Audio 32.2_Out of the Box

Audio 32.3_Subtle Sequencing

Chapter 34

34.1_Pink Noise

34.2_Trumpet Mix 20%

34.3_Trumpet Mix 80%

34.4_Realistic Tail

34.5_Extra Long Tail

34.6_Soft Room

34.7_Hard Room