Audio Samples

From The Musical Storyteller 3rd edition

by Stephen Berkemeier

Chapter 1

Audio 1.1_Vertical Interval and Horizontal Interval

Minor 2nd (Half Step)

Major 2nd (Whole Step)

Minor 3rd

Major 3rd

Perfect 4th

Tritone

Perfect 5th

Minor 6th

Major 6th

Minor 7th

major 7th

Octave

Chapter 2

Audio 2.1_Counting in Fours

Audio 2.2_Counting in Three's

Audio 2.3_Counting in Two's

Audio 2.4_The Seasons as Rhythm

Audio 2.5_I Appreciate All Music

Audio 2.6_Triplets

Audio 2.7_Quintuplets

Chapter 3

Audio 3.1_C Major Scale

Audio 3.2_C Major Triad

Audio 3.3_C Minor Triad

Audio 3.4_C Diminished Triad

Audio 3.5_C Augmented Triad

Audio 3.6_C Major 7th

Audio 3.7_C Minor 7th

Audio 3.8_C Minor Major 7th

Audio 3.9_C Half Diminished 7th

Audio 3.10_C Diminished 7th

Audio 3.11_C Dominant 7th

Audio 3.12_Authentic Cadence

Audio 3.13_Deceptive Cadence V7 to VI-

Audio 3.14_Deceptive Cadence V7 to III-

Audio 3.15_Half Cadence

Audio 3.16_Plagal Cadence

Audio 3.17_Chord Progression Sample

Chapter 4

Audio 4.1_Relative Major then Minor Scale

Audio 4.2_Sample Chord Progression

Audio 4.3_Sample Chord Progression

Audio 4.4_Sample Chord Progression with Bass line

Audio 4.5_Chord Progression Voice Leading Example

Audio 4.6_Sample Chord Progression

Audio 4.7_Simple Substitution Example 1

Audio 4.8_Simple Substitution Sample 2

Audio 4.9_Simple Substitution Sample 3

Chapter 5

Audio 5.1_C Ionian

Audio 5.2_D Dorian

Audio 5.3_E Phrygian

Audio 5.4_F Lydian

Audio 5.5_G Mixolydian

Audio 5.6_A Aeolian

Audio 5.7_B Locrian

Audio 5.8_ Dorian Cadence (E minor to D minor)

Audio 5.9_ Dorian Cadence (G major to D minor)

Audio 5.10_ Sample Chord Progression

Audio 5.11_ Modal Reharmonization

Audio 5.12_Modal Reharmonization Sample 2

Chapter 6

Audio 6.1_Default Bassline Example

Audio 6.2_Default Bassline with Rhythm

Audio 6.3_Rhythmic Bassline with Added 5ths

Audio 6.4_Anticipation

Audio 6.5_Pickup Tone

Audio 6.6_Simple Bassline

Audio 6.7_Inversions in Bassline

Chapter 7

Audio 7.1_Extended Chords of the Major Key

Audio 7.2_Extended Chords of the Minor Key

Audio 7.3_Extending Triads (Sample)

Chapter 8

Audio 8.1_Basic Chord Progression (Sample)

Audio 8.2_Secondary Dominant Sample

Audio 8.3_Different Types of Secondary Dominants

Audio 8.4_Secondary Diminished

Audio 8.5_Jazz Cadences

Audio 8.6_Gear Shift Up

Audio 8.7_Gear Shift Down

Audio 8.8_Common Chord Modulation

Audio 8.9_Modal Modulation

Audio 8.10_Secondary Dominant Modulation

Audio 8.11_Modulating to Relative Keys

Chapter 9

Audio 9.1_Goose Eggs

Audio 9.2_Neighbor Tones

Audio 9.3_Double Neighbor Tones

Audio 9.4_Consonance in Action

Audio 9.5_Staggered vs Articulated Dissonance

Audio 9.6_Escape tones

Audio 9.7_Suspensions and Retardations

Audio 9.8_Anticipations

Audio 9.9_Chromatic Passing Tones

Audio 9.10_Appoggiaturas

Chapter 11

Audio 11.1_Counting the Beat

Audio 11.2_Counting the Pulse

Audio 11.3_Staccato Comparison

Chapter 12

Audio 12.1_Fate Motif

Audio 12.2_Batman Motif

Audio 12.3_Starting with Pitch

Audio 12.4_Adding Rhythm

Audio 12.5_Our Motif

Chapter 13

Audio 13.1_Question Phrase

Audio 13.2_Answer Phrase

Audio 13.3_Original Motif

Audio 13.4_Rhythmic Augmentation

Audio 13.5_Rhythmic Diminution

Audio 13.6_Rhythmically Transformed

Audio 13.7_Metric Displacement

Audio 13.8 _Changing Time Signatures

Audio 13.9_Accentuation

Audio 13.10_Chromatic Sequencing

Audio 13.11_Diatonic Sequencing

Audio 13.12_Exact Melodic Inversion

Audio 13.13_ Diatonic Melodic Inversion

Audio 13.14_Complete Retrograde

Audio 13.15_Rhythmic Retrograde

Audio 13.16_Melodic Retrograde

Audio 13.17_Fragmentation

Audio 13.18_Interval Expansion and Contraction

Audio 13.19_Quantitative Embellishment

Audio 13.20_Qualitative Embellishment

Audio 13.21_Reduction

Audio 13.22_Reconstruction

Audio 13.23_Sentence Structure A

Audio 13.24_Sentence Structure A'

Audio 13.25_Sentence Structure B

Audio 13.26_Sentence Structure C

Audio 13.27_Period Structure

Audio 13.28_Sequencing Structure

Chapter 14

Audio 14.1_Sample Chord Progression

Audio 14.2_Initial Motif

Audio 14.3_Initial Target Tones

Audio 14.4_Chords first melody

Audio 14.5_Sample Melody

Audio 14.6_Harmonized Melody

Chapter 17

Audio 17.1_Species 1

Audio 17.2_Species 2A

Audio 17.3_Species 2B

Audio 17.4_Species 3

Audio 17.5_Species 4

Audio 17.6_Species 5

Audio 17.7_Cantus Firmus

Audio 17.8_Counterpoint Sketch

Audio 17.9_Counterpoint Sample

Audio 17.10_Call and Response

Audio 17.11_Active vs Inactive

Audio 17.12_Filler

Audio 17.13_Rhythmic Ostinato

Audio 17.14_Harmonic Ostinato

Audio 17.15_Melodic Ostinato

Chapter 23

Audio 23.1_Staccato Violin

Audio 23.2_Spiccato Violin

Audio 23.3_Tremolo Violin

Audio 23.4_Trill Violin (Major 2nd)

Audio 23.5_Pizzicato Violin

Audio 23.6_Bartok Pizzicato Violin

Audio 23.7 _ Sul tasto (Violin Section)

Audio 23.8_Sul Ponticello (Violin Section)

Audio 23.9 _ Col Legno Battuto Violin

Audio 23.10_Con Sordino Violin

Audio 23.11_Legato Violin

Chapter 24

Audio 24.1_Marcato (English Horn)

Audio 24.2_Legato Oboe

Audio 24.3_FLutter Tongue (Flute

Chapter 25

Audio 25.1_Flutter Tongue (Trumpet)

Audio 25.2_Cuivre (Horns)

Audio 25.3_Muted Trumpet

Chapter 27

Audio 27.1_Like Doubling

Audio 27.2_Unlike Doubling

Audio 27.3_Additive Accentuation

Audio 27.4_Additive Crescendo

Audio 27.5_Subtractive Decrescendo

Audio 27.6_Registral Accentuation

Audio 27.7_Registral Accentuation B

Audio 27.8_Coloristic Accentuation

Audio 27.9_Orchestral Resonance

Chapter 29

Audio 29.1_Monophonic Texture

Audio 29.2_Simplified Variation

Audio 29.3_Flourishing Embellishment

Audio 29.4_Rhythmic Embellishment

Audio 29.5_Chordal Texture

Audio 29.6_Sustained Chords

Audio 29.7_Rhythmic Chords

Audio 29.8_Arpeggiated Chords

Chapter 30 & 31

Audio 30.1_Out of the Box

Audio 30.2_Subtle Sequencing

Audio 31.1_Dovetailing

Chapter 32

Audio 32.2_Out of the Box

Audio 32.3_Subtle Sequencing

Chapter 34

34.1_Pink Noise

34.2_Trumpet Mix 20%

34.3_Trumpet Mix 80%

34.4_Realistic Tail

34.5_Extra Long Tail

34.6_Soft Room

34.7_Hard Room